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Limited runs. Hand-screened. Mostly black, some not.
A fresh reincarnation of Grunge, Alternative Rock, and poppy Midwest Shoegaze — rising out of Kansas City, MO.
Crunchy, melodic guitars. Bass so full you can bite right into it. Beats that'll get you dancing until you can't feel your legs.
Every song brings you a smidgeon closer to insanity — and hopefully a better understanding of people with severe mental illness.
We've shared the stage with Brady Rowland & the Missile Kids, Captain Howdy and the sunset serenaders, Mudskipper, Island Policy, and the KKFI Band Auction.
New music incoming.
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Shirts, stickers, and the occasional one-off run of zines or tapes. The store goes live alongside the album drop.
Drummer. The heartbeat. Andy keeps the room moving even when the rest of us are falling apart on stage.
Pulled into the band early on after a sweaty practice-space audition that lasted four hours and ended with the neighbors calling the cops. Has been the foundation ever since.
Influences: Dave Grohl, Stewart Copeland, John Bonham.
Bassist. The low end you can chew. Jeff brings the bite — fat, melodic basslines that anchor every song.
Came up playing in a string of Kansas City bands before joining 4DF. Tone-chaser, gear-tinkerer, and the quiet glue that holds the lineup together.
Influences: Krist Novoselic, Mike Mills, Justin Chancellor.
Frontman. Songwriter. The voice and rhythm guitar of 4DF.
Dylan writes most of the band's material — pulling from grunge, shoegaze, and the murky middle-ground between. His lyrics chase the texture of mental illness from the inside, trying to make something honest out of what's usually only whispered about.
Influences: Kurt Cobain, Elliott Smith, My Bloody Valentine, Built to Spill.
4th Dimensional Flowers started in a Kansas City basement at the tail end of a summer that wouldn't end. Dylan had been writing alone for years — half-songs into a phone, scraps of melody on a battered acoustic — and Andy and Jeff happened to be the two people who heard them and didn't politely change the subject.
The first practices were loud, ugly, and weirdly euphoric. Songs about mania, gum stuck to teeth, lizard people in the mirror, the dread of being twenty-something in the middle of America. The band found a sound somewhere between grunge's blunt force and shoegaze's wash, with hooks pop enough to stick.
Since then they've shared stages with Brady Rowland & The Missile Kids, Lucky Dragon No. 5, MabKC, and Island Policy, and played the KKFI Band Auction. Their debut record — Bi/Polar: Love/Time — is finished and on its way out. Pre-save is open. Tour dates incoming.
If the songs land, it's because they're built for the people who quietly need them. Every song nudges you a smidgeon closer to insanity — and hopefully, a smidgeon closer to understanding the people already living there.
— Kansas City, MO
You made it through the whole cube. Both sides of it.
